RADDblog

Not Available / Paul Mutant

Posted in Apocalypse, Installation, Social, Technology by RADDblog on September 21, 2010

This painting called “Not Available” by Paul Mutant is for everyone who has ever experienced the YouTube geo-blocking crap.

Computer Vision Dazzle Makeup by Adam Harvey

Posted in Apocalypse, Installation, Performance, Research, Technology by RADDblog on April 5, 2010

Adam Harvey is currently writing his thesis at the ITP and his topic is Computer Vision Dazzle. He’s researching and developing privacy enhancing counter technology, to protect individual privacy for everyone. So here you can find some makeup patterns which make it impossible for the OpenCV library and it’s Haar cascade files, to detect a face. Fun times ahead!

About this image:

Images with a red square tested positive, a face was found
Images without a red square tested negative, no face was found
Images under the section “TEST PATTERNS” are made according to results of the Haar deconstruction
Images under “RANDOM PATTERNS” are random doodles made without the anti-face detection patterns in mind
Images underneath the “NO PATTERNS” heading are left untouched to show that the face detection works well on simple line drawings

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via today and tomorrow

“Suck/Blow” by INABA/C-LAB at STOREFRONT FOR ART AND ARCHITECTURE

Posted in Apocalypse, Architecture, Downsizing, Installation, Landscape, Lighting, Sculpture by RADDblog on March 17, 2010

An installation at Storefront for Art and Architecture, New York, for one night only, March 9, 2010, part of “Landscapes of Quarantine,” an exhibition curated by Geoff Manaugh and Nicola Twilley of Future Plural.

“Suck/Blow” was constructed using Tyvek, tape, light steel frames, and pressurized air.

All photographs by Emiliano Granado

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via flickr

MAP Manual of Architectural Possibilities) 002 QUARANTINE by David Garcia Studio

RADDblog previously reported on MAP 001 ANTARCTICA by David Garcia Studio, and they are now releasing the second installment: MAP 002 QUARANTINE.

from the designers:

DAVID GARCIA STUDIO is proud to be exhibiting at the prestigious STOREFRONT FOR ART AND ARCHITECTURE in New York, at the “LANDSCAPES OF QUARANTINE” exhibition, curated by Geoff Manaugh and Nicola Twilley. The Studio will be exhibiting and launching the second issue of  MAP (Manual of Architectural Possibilities). MAP 001 focused on Antarctica, and with MAP 002 QUARANTINE will be investigating and questioning the subject through research and projects, and the realm of architectural ideas. Four projects are treated on this issue: A Domestic Isolation Unit, an Instantly Quarantinable Farm, a Zoo of Infectious Species, and a Quarantined Library on a cargo ship. Along with the projects, our fact page will focus on a series of topics regarding quarantine, from the biological to the political, the geographical and beyond. We are happy to have Peter Cook along again, writing the introduction. Each number of MAP 002 is individually numbered from 1 to 2000.

The opening will take place Tuesday evening, March 9th at 7 pm, where MAP will be on sale.

“LANDSCAPES OF QUARANTINE”

9th March – 17th April, 2010

STOREFRONT FOR ART AND ARCHITECTURE

97 Kenmare Street
New York, NY 10012

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via MAP and BLDGBLOG

The Mariana Trench To Scale

Posted in Apocalypse, Downsizing, Ecology by RADDblog on February 23, 2010

(please click on image for slightly larger view)

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via GEEKOLOGIE

Drillcores by Sinta Werner and Markus Wüste

Posted in Abandonment, Apocalypse, Installation, Interiors, Sculpture, Texture by RADDblog on February 22, 2010

Drillcores by Sinta Werner and Markus Wüste

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via today and tomorrow

“There Is No Point In …” by Jan Maarten Voskuil

Posted in Apocalypse, Illustration, Installation by RADDblog on February 22, 2010

GLOBAL TACOSHED / Do You Know Where Your Taco Comes From?

Posted in Apocalypse, Ecology, Economy, Illustration, Research by RADDblog on February 18, 2010

(please click on image above for slight larger version)

Like a culinary version of SourcemapRebar has teamed up with landscape architectDavid Fletcher and some students from the increasingly interesting California College of the Arts in San Francisco to explore the ingredients of your local taco—from pinto beans to the aluminum foil it all comes wrapped in.

    Our premise was that a seemingly simple, familiar food like the taco truck taco could provide visceral insight into the connections between the systems we were exploring [in our studio's investigation of the city]. By thoroughly learning the process of formation and lifecycle for what it takes to make a taco, we would be better able to propose and design a speculative model of a holistic and sustainable urban future. What resulted was a richly complex network of systems, flows and ecologies that we call the global Tacoshed.

This is a participatory undertaking; meet at the Studio for Urban Projects in San Francisco at 7pm on Thursday, February 25, to find out how you, too, can map a taco. Here’s a map.

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via BLDGBLOG

Roots by Kai Linke

Posted in Apocalypse, Ecology, Furniture, Installation, Landscape, Performance, Sculpture, Technology, Texture by RADDblog on February 2, 2010

from the designer:

Roots of plants have been directed to fill out a form on different nutrient mediums over a period of time. After filling out the form completely, similar to a flower in a too small pot, it is then removed and a root shaped like a table or a chair is left.
The material wood, in this case root wood, is already being shaped during its rowth phase, unlike the usual procedure of working wood physically. In a long-term experiment – that will be going on for years – trials will be observed in a measure of 1 by 1. Result out of this will be the “root chair”

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via dezeen

The Gentrification of Brooklyn by Specter

Posted in Abandonment, Apocalypse, Architecture, Economy, Performance, Planning, Reoccupation, Research, Social by RADDblog on January 28, 2010

Interesting hand painted billboards made by Specter for “The Gentrification of Brooklyn” exhibition. Some are great, and some are a bit over the top.

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via today and tomorrow

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